Popular Culture Books
There are 6 books in this catalogue.
Fighting The Forces: What's At Stake In Buffy The Vampire Slayer?
Book Number: 48418
Rowman & Littlefield Publishers, Inc. April 2002 8vo softcover 320pp near fine. Fighting the Forces explores the struggle to create meaning in an impressive example of popular culture, the television series phenomenon Buffy the Vampire Slayer. In the essays collected here, contributors examine the series using a variety of techniques and viewpoints. They analyze the social and cultural issues implicit in the series and place it in its literary context, not only by examining its literary influences (from German liebestod to Huckleberry Finn) but also by exploring the series' purposeful literary illusions.
The Aesthetics of Culture in Buffy the Vampire Slayer
Book Number: 48419
McFarland & Company January 18, 2006 8vo softcover 288pp near fine. On the TV screen as elsewhere, there is often more than meets the eye. For decades, television has offered not just entertainment, but observations-subtle and otherwise-on society. This book examines the cultural commentary contained in Buffy, the Vampire Slayer, a show that ran for seven seasons (1997-2003) and 144 episodes. On the surface, Buffy is the marriage of a high school drama to gothic horror. This somewhat unusual vehicle is used to present, via the character of Buffy, fairly typical views of late 20th century culture-teenage problems; issues regarding a broken home; and the search for meaning and validation. In addition, subtler themes, such as cultural views of knowledge, ethnicity and history, are woven into the show's critique of popular culture. Organized into two sections, this volume offers an in-depth examination of the show: first, through the lens of Buffy's confrontation with culture, and second, from the complex perspectives of the individual characters. Issues such as values, ethical choices and the implications of one's actions are discussed-without ever losing sight of the limitations of a medium that will always be dominated by financial concerns. The final chapter summarizes what Buffy has to say about today's society. An appendix lists Buffy episodes in chronological order.
Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale
South, James B.
Book Number: 48421
Open Court March 2003 8vo softcover 335pp near fine. How can Buffy's religious symbolism be squared with creator Joss Whedon's professed atheism? Is Buffy truly a Kierkegaardian knight of faith? Do Faith's corruption and return to the good life demonstrate Platonic eudaimonism? Or do they illustrate the flaws in Nietzsche's superman concept? What does the show's treatment of vampires, demons, and other entities say about ethical attitudes toward nonhumans? These are some of the questions asked and answered in this lively collection of essays that link classical philosophy to the long-running series Buffy the Vampire Slayer. Buffy's status as the leading vehicle for exploring the evil underlying everyday life has made it ripe for the kind of witty, penetrating philosophical analysis this book delivers -- fully disintering the intellectual issues that underlie this cult favorite.
Televised Morality: The Case of Buffy the Vampire Slayer
Book Number: 48422
Hamilton Books February 23, 2004 8vo softcover 316pp near fine. The increasing frequency of moralist critiques of television shows is an acknowledgment of television's growing role in the shaping of a culture's moral values. Yet many moralist critiques misconstrue the full moral message of a show due to a restrictive focus on sex, violence, and profanity. Televised Morality explores the nature of moral discourse on television by using Buffy the Vampire Slayer as a case study.
Too Good to Be True: The Colossal Book of Urban Legends
Brunvand, Jan Harold
Book Number: 49608
W. W. Norton & Company October 2001 8vo softcover 480pp very good. If a story sounds too good to be true, well, then it's probably an urban legend. Brunvand, the nation's leading authority on these contemporary folktales, draws from five previous collections (The Choking Doberman, Curses! Broiled Again!, etc.), from letters to his syndicated columns and from newspapers around the country, in this truly colossal anthology of horrendous and hilarious stories that sound as if they're true and most of the tellers believe are true, but somehow can never be verified. These are stories told by a FOAF (a friend of a friend) or a neighbor of the radio dispatcher who knows the deputy who talked to the doctor who treated 18 slash victims at the local mall. Many are familiar talesAof the hook heard rasping against the car door handle, of alligators in the sewers of New York, of earwigs in ears and spiders in bouffant hairdos this last traced back to the 13th century. Everyone will find at least two or three stories they could have sworn really happened. These are stories that turn up in every region of the country, every walk of life, and that invariably involve laughing paramedics, a dead grandmother stashed on the luggage rack, a fantastically cheap price for a Porsche or an exorbitant one for a cookie recipe from Neiman Marcus or is it Marshall Fields? In demonstrating how such stories spread, change and endure, and how certain kinds of stories attach themselves to certain franchises and products.
The Senses Still
Seremetakis, C. Nadia
Book Number: 48806
University Of Chicago Press June 15, 1996 8vo softcover 290pp very good. Some highlighting in a couple of places. What has happened to regional experiences that identify and shape culture? Regional foods are disappearing, cultures are dissolving, and homogeneity is spreading. Anthropologist and award-winning author of The Last Word: Women, Death, and Divination in Inner Mani, C. Nadia Seremetakis brings together essays by five scholars concerned with the senses and the anthropology of everyday life. Covering a wide range of topics--from film to food, from nationalism to the evening news--the authors describe ways in which sensory memories have preserved cultures otherwise threatened by urbanism and modernity. The contributors are Susan Buck-Morss, Allen Feldman, Jonas Frykman, C. Nadia Seremetakis, and Paul Stoller.